A rare and overstuffed harpsichord recital
Esfahani’s recital turned out to be a blend of probing and often luxuriant playing, beset by a host of ill-considered notions about how to frame a solo performance. The appeal of Esfahani’s programming choices, which ranged from music by the Renaissance master William Byrd to works of Lou Harrison and Steve Reich, soon paled as it became clear that he’d assembled a semi-random collection of pieces with no relationship to one another. A program billed to go 75 minutes without intermission wound up rambling on for more than two hours... Читать дальше...