Behind the Scenes of the New Yiddish 'Fiddler'
At a rehearsal studio in midtown, a team of creatives and managers prepared for the open call. There were few indications that the auditions were for roles in Fiddler on the Roof, but off to the side, like a Chekhov’s gun, sat a glass bottle next to a black, brimmed hat (to be used, presumably, in Chekhov’s callback). But for now, the mission was for male dancers to learn the choreography for “L’Chaim,” and, to show off ballet skills, “Matchmaker, Matchmaker.”
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