How Should Black and Indigenous Directors Depict Generational Trauma?
Four new works—Raoul Peck’s Exterminate All the Brutes; Oliver Hermanus’s Moffie; Sky Hopinka’s Maɬni—Towards the Ocean, Towards the Shore; and Lemohang Jeremiah Mosese’s This Is Not a Burial, It’s a Resurrection—make different yet complementary arguments about how to challenge dominant narratives.