Նիկոլ Փաշինյանը շատ հրաշալի լուր ունի

Նիկոլ Փաշինյանիը շատ հրաշալի լուր ունի Նիկոլ Փաշինյանիը շատ հրաշալի լուր ունի Նիկոլ Փաշինյանիը շատ հրաշալի լուր ունի Նիկոլ Փաշինյանիը շատ հրաշալի լուր ունի Նիկոլ Փաշինյանիը շատ հրաշալի լուր ունի Նիկոլ Փաշինյանիը շատ հրաշալի լուր ունի Նիկոլ Փաշինյանիը շատ հրաշալի լուր ունի Նիկոլ Փաշինյանիը շատ հրաշալի լուր ունի Նիկոլ Փաշինյանիը շատ հրաշալի լուր ունի

Աղբյուր

 

 

 

 

 

 

The Riverside Museum (2004–2011), on the banks of the River Clyde Glasgow, Scotland, houses the Glasgow Museum of Transport. Hadid described the 10,000-square metre building, with 7,000 square metres of gallery space, as «a wave», «folds in movement», and «a shed in the form of a tunnel, open at the extreme ends, one end toward the city and the other toward the Clyde.»[35] Like many of her buildings, the whole form is only perceived when viewed from above. The facades are covered with zinc plates, and the roofline has a series of peaks and angles. The interior galleries caused some controversy; visitors who came to see the collection of historic automobiles found that they are mounted on the walls, high overhead, so it is impossible to look into them. Rowan Moore of The Guardian of London wrote: «Obviously the space is about movement…Outside it is, typologically, a supermarket, being a big thing in a parking lot that is seeking to attract you in…It has enigma and majesty, but not friendliness.»[36]

London Olympics Aquatics Centre (2005–2011)
Hadid described her Aquatics Centre for the 2012 Summer Olympics in London as «inspired by the fluid geometry of water in movement».[37] The building covers three swimming pools, and seats 17,500 spectators at the two main pools. The roof, made of steel and aluminium and covered with wood on the inside, rests on just three supports; it is in the form of a parabolic arch which dips in the centre, with the two pools at either end. The seats are placed in bays beside the curving and outward-leaning walls of glass. At £269 million, the complex cost three times the original estimate, owing principally to the complexity of the roof. This was the subject of much comment when it was constructed, and it was the first 2012 Olympic building begun but the last to be finished. It was praised by architecture critics. Rowan Moore of The Guardian said that the roof «floats and undulates» and called the centre «the Olympics’ most majestic space».[38]

Broad Art Museum, East Lansing, Michigan (2007–2012)
The Broad Art Museum at Michigan State University in East Lansing, Michigan, Hadid’s second project in the United States, has a space of 4,274 square metres, dedicated to contemporary art and modern art and an historical collection. The parallelogram-shaped building leans sharply and seems about to tip over. Hadid wrote that she designed the building so that its sloping pleated stainless steel facades would reflect the surrounding neighbourhood from different angles; the building continually changes colour depending upon the weather, the time of day and the angle of the sun. As Hadid commented, the building «awakens curiosity without ever truly revealing its contents».[39] Elaine Glusac of The New York Times wrote that the architecture of the new museum «radicalizes the streetscape».[40] The Museum was used in a scene of the 2016 Batman vs. Superman movie.[41]

Galaxy SOHO, Beijing, China (2008–2012)
Many of Hadid’s later major works are found in Asia. The Galaxy SOHO in Beijing, China (2008–2012) is a combination of offices and a commercial centre in the heart of Beijing with a total of 332,857 square metres, composed of four different ovoid glass-capped buildings joined together by multiple curving passageways on different levels. Hadid explained, «the interior spaces follow the same coherent formal logic of continual curvilinearity.» The complex, like most of her buildings, gives the impression that every part of them is in motion.[42]