Taylor Swift changed The Eras Tour set list to include 'The Tortured Poets Department.' Here are all 46 songs she performs now.

The Eras Tour is Swift's first live tour since 2018. The show opener includes the lyric, "It's been a long time coming, but / It's you and me, that's my whole world." 

"Cruel Summer" was released as the second track on 2019's "Lover" and never promoted as a single.

However, once The Eras Tour was underway, the song experienced a delayed surge in popularity and became Swift's milestone 10th chart-topper on the Billboard Hot 100.

"The Man" was promoted as the fourth single from "Lover," alongside an Easter egg-filled music video.

"You Need to Calm Down" is an ode to LGBTQ+ rights. The music video, which features a huge cast of queer celebrities, ends with a call to sign the Equality Act.

"Lover" is the solo-written title track from Swift's seventh studio album. Before she performs the song during The Eras Tour, she tells fans that she hopes it'll hold a special meaning for each individual who hears it.

"These are songs that I have written about my life or things I felt at one point in time," she says in the concert movie. "But after tonight, when you hear these songs out and about in the world, my dream is that you're gonna think about tonight, and the memories we made here together." 

"Fearless" is the title track for Swift's 2008 sophomore album, which is still known as the most-awarded country album of all time.

Swift won best female video for "You Belong With Me" at the 2009 MTV Video Music Awards.

"Love Story" was the first rerecorded song that Swift ever released from her "Taylor's Version" series.

When Swift performs "22" during The Eras Tour, she always gives her bowler hat to one lucky concertgoer.

"We Are Never Ever Getting Back Together" was released as the lead single from "Red" in 2012. It became Swift's first-ever No. 1 hit on the Hot 100.

The third single from "Red," coproduced by Max Martin and Shellback, peaked at No. 2 on the Hot 100.

The extended version of "All Too Well" was released as the final track on "Red (Taylor's Version)" after years of fan anticipation.

It debuted at No. 1 on the Hot 100, becoming the longest song ever to hold the chart's top position.

"Enchanted" is the only song from Swift's third album, "Speak Now," that she currently performs during The Eras Tour.

For a brief time, following the release of "Speak Now (Taylor's Version)," Swift added the fan-favorite deep cut "Long Live" to the set list. It has since been removed.

"…Ready for It?" was originally teased during ABC's "Saturday Night Football" broadcast in 2017. It was later used by ESPN in college football commercials.

Swift's performance of "Delicate" during The Eras Tour features a stage animation that cracks beneath her feet.

"Don't Blame Me" is the sole non-single that Swift performs during the tour's "Reputation" segment. The fan-favorite track is often cited as a highlight of the show.

"Look What You Made Me Do," which interpolates Right Said Fred's '90s hit "I'm Too Sexy," was released as the lead single from "Reputation" and debuted at No. 1 on the Hot 100.

The No. 1 single "Cardigan" was released alongside Swift's beloved album "Folklore." The song references Peter Pan and introduces the album's "teenage love triangle."

"Betty" is told from the perspective of a high schooler named James, who broke the heart of the titular heroine.

The heart-wrenching piano ballad "Champagne Problems" often inspires a minutes-long standing ovation during The Eras Tour.

Swift's debut performance of "August" took place at the 2021 Grammy Awards. Later that night, she won album of the year for "Folklore," her record-tying third trophy in that category.

"Illicit Affairs" is widely interpreted as a song about marital infidelity, though its descriptions of forbidden love and "clandestine meetings" adopt new meanings through a queer lens.

In Swift's own words, "My Tears Ricochet" was inspired by the image of an "embittered tormentor showing up at the funeral of his fallen object of obsession."

"Marjorie" is named after Swift's late grandmother, Marjorie Finlay, an opera singer who died in 2003. Finlay is credited with background vocals in the song.

"Willow" was promoted as the lead single from "Evermore." Like "Cardigan," it was released simultaneously with its parent album and debuted at No. 1 on the Hot 100.

Swift briefly dated Harry Styles before releasing her fifth studio album, "1989."

When Rolling Stone asked about the inspiration behind the album's third track, "Style," she replied, "We should have just called it 'I'm Not Even Sorry.'"

"Blank Space" is a widely celebrated satire about Swift's reputation as a "serial dater."

"'She only writes songs to get emotional revenge on guys. She's a man-hater. Don't let her near your boyfriend,'" Swift explained at the time. "It was just kind of excessive and, you know, at first it was hurtful and then I kind of found a little comedy in it."

The song dethroned "Shake It Off" at No. 1 on the Hot 100, making Swift the first and only woman in history to replace herself in the chart's top spot. (She has since done it twice.)

"Shake It Off" was released as the lead single from "1989," Swift's official pivot from country to pop music.

The song became her first to debut at No. 1 on the Hot 100 and remained there for four weeks. It also inspired a sketch on "Saturday Night Live" about adults realizing they love Swift's music.

"Wildest Dreams" was released as the first rerecorded song from "1989 (Taylor's Version)."

"Bad Blood" was famously inspired by Swift's then-feud with Katy Perry, whom Swift accused of trying to "sabotage" her "Red" tour. (The two pop stars have long since buried the hatchet.)

The remix includes a feature from Kendrick Lamar, who returned to rerecord his verse for "1989 (Taylor's Version)."

Following the release of her massive double album, "The Tortured Poets Department: The Anthology," Swift added seven brand-new songs to The Eras Tour setlist.

The first is "But Daddy I Love Him," a sharp rebuke of Swift's own fans, many of whom criticized her dating life last year.

"So High School" is widely presumed to be about Swift's current boyfriend, NFL star Travis Kelce. The song's lyrics seem to reference their different professions: "You know how to ball, I know Aristotle."

Swift is the only songwriter credited for "Who's Afraid of Little Old Me?"

The song title is likely inspired by "Who's Afraid of Virginia Woolf?" — a celebrated play written by Edward Albee that tackles themes of truth versus illusion, fate versus choice, and feeling trapped.

"Down Bad" is a heartsick serenade that compares falling in love to being abducted by aliens.

"Fortnight" was promoted as the lead single from "The Tortured Poets Department," alongside a music video that costars Post Malone and references "Dead Poets Society."

"The Smallest Man Who Ever Lived" is a scathing breakup song that may have been inspired by Matty Healy, whom Swift dated while writing "The Tortured Poets Department." According to reports, their relationship lasted about one month.

In a meta twist, "I Can Do It With a Broken Heart" was apparently inspired by The Eras Tour itself. The lyrics seem to reference a string of concerts last year, when Swift felt "miserable" but continued to perform as usual ("They said, 'Babe, you gotta fake it 'til you make it,' and I did").

During each show on The Eras Tour, Swift performs a two-song acoustic set that changes every night. The first song is always played on acoustic guitar. 

The first-ever surprise song Swift played in Arizona was "Mirrorball." For the first stop on the European leg, she chose the "Midnights" bonus cut "Paris."

The second surprise song of the evening is always played on the piano.

In Arizona, Swift's first-ever surprise song on piano was "Tim McGraw," the lead single from her 2006 debut album. For night one in France, Swift played the "Tortured Poets" heartbreaker "Loml."

"Lavender Haze" is the opening track on Swift's 10th studio album "Midnights."

"Anti-Hero" was promoted as the lead single from "Midnights." It debuted at No. 1 and became Swift's biggest hit to date, reigning atop the chart for eight weeks.

The same week that "Anti-Hero" arrived in the top spot, Swift became the first and only artist in history to occupy the entire top 10 on the Hot 100.

"Midnight Rain" doubles as a breakup song and an ode to Swift's own ambitions: "He wanted it comfortable, I wanted that pain / He wanted a bride, I was making my own name," she sings, calling back to the rejection of '50s gender roles in "Lavender Haze."

Put simply, "Vigilante Shit" is about getting revenge. Many fans believe the song was inspired by Scooter Braun, who purchased Swift's back catalog in 2019. Less than two years later, he sold Swift's master recordings to a private equity company.

The music video for "Bejeweled" includes a variety of celebrity cameos, including Laura Dern, the Haim sisters, and Dita Von Teese.

In the chorus of "Mastermind," Swift seems to serenade her longtime fans: "What if I told you I'm a mastermind? / And now you're mine." 

The song also references Swift's penchant for Easter eggs and her keen business acumen, which has allowed her to build a billion-dollar empire.

"I'm sick of women not being able to say that they have strategic business minds — because male artists are allowed to," Swift told Rolling Stone in 2019. "And so I'm sick and tired of having to pretend like I don't mastermind my own business."

Swift closes the elaborate show with "Karma," a song that mocks her enemies and salutes her own longevity: "Ask me what I learned from all those years / Ask me what I earned from all those tears / Ask me why so many fade, but I'm still here."