These clever anti-ICE signs are taking over Minneapolis

Federal immigration agents stationed in Minneapolis need not read polls or confront protesters to know how the city feels about their presence. Walking around just about any neighborhood in the area lately should provide a glimpse into the vast sprawl of graffiti and homemade yard signs expressing residents’ bone-deep aversion to ICE. One poster in particular, though, has been increasingly decorating the storefront windows of local restaurants, coffee shops, yarn stores, pubs, and bowling alleys, urging in no uncertain terms: “ICE out of Minneapolis.”

This sign seems to have struck a chord within the community, not just because of its blunt message but the form it’s riffing on: a familiar red municipal sign highlighting snow emergency routes, already strewn throughout streets in the Twin Cities. While the original evokes the grill of a snowplow truck clearing out roads in the wake of a blizzard, the anti-ICE version includes helmets, rifles and handcuffs in the slushy waste. The new sign’s growing popularity suggests it’s tapping into residents’ regional identity as much as it is their love of creative protest art.

Reimagining a local icon

Burlesque of North America, a local design studio specializing in graphic arts and screenprinting, created the sign as a response to ICE’s incursion into Minneapolis. Owners Mike Davis and Wes Winship had previously created an anti-ICE enamel pin back in November when they first got the eerie sense something like Operation Metro Surge lay on the horizon.

After their friends who run the nearby restaurant Hola Arepa were targeted by ICE in early December, the Burlesque team began playing with ideas for a protest poster. It didn’t take long for them to arrive at a concept rooted in the transportation department’s snow emergency sign.

“We’ve been figuring out how to handle literal ice here for centuries,” Winship says. “And we’ve got this sign that’s pre-built, alerting people: There’s an emergency and we need to remove frozen precipitation from the streets.”

It was clean, crisp iconography, on which to project a message of resistance. On top of that, it was instantly recognizable.

“For the locals, everyone knows the sign. Everyone’s been living with it and responding to it,” says Davis. “But even people from out of town who don’t know the reference, they can still tell what it means and connect with it.”

After working on a mockup, the two paused on the project as the holidays kicked into high gear. It remained set aside until January 7, the day an ICE agent shot and killed Renee Nicole Good. That drastic escalation spurred the pair back into action on their poster. By the following night, Davis and Winship had completed all the design elements. The next day, they’d screenprinted the first of what would become over 5,000 copies to distribute around Minneapolis. They also offered free PDFs on their website, an open-source touch allowing out-of-towners to print signs and shirts of their own.

The power of posters

Although projects like concert posters are Burlesque’s bread and butter, the team has been rooted in socially conscious art for ages. Amid the Syrian refugee crisis, for instance, they created a Refugees Welcome image that went viral in 2015 when the Walker Art Center featured it and several news outlets ultimately wrote about it. After George Floyd was killed in 2020, Davis and Winship printed out several artists’ protest graphics for free and handed out copies from their delivery truck at the intersection quickly dubbed George Floyd Square. 

It’s in that very area where the city’s love of protest art is most evident—made manifest by the iconic raised fist of steel in Floyd’s memory, designed by artist Jerome Powell-Karis.

The Burlesque team have now seen, once again, how much that love still radiates throughout the city during moments of upheaval. As they handed out their anti-ICE posters, restaurant and shop owners lit up at the sight of it. Davis brought 600 copies to a protest in Powderhorn Park the weekend after Good was killed, and his supply was picked clean within 15 minutes. When the team later asked for donations to cover their ink and paper costs, they hit their goal in three days. Meanwhile, the response on Instagram was unlike anything the pair had ever experienced. 

“We’re still being contacted almost hourly by someone who either wants one or wants an entire stack to give away at their bike shop or trivia night,” Davis says.

The signs seem especially resonant at restaurants, where some owners are now opting to keep their doors locked during daytime hours to prevent ICE from entering. Local service workers seem haunted by recent reports of ICE agents eating at a restaurant in a town outside of Minneapolis, only to detain several employees afterward. The anti-ICE signs add some extra oomph to the locked doors, and let prospective diners know where the establishment stands. (Many restaurants without this particular sign have homemade anti-ICE signage of their own.)

Although the snow emergency poster has started gaining a lot of traction, it feels perfectly at home among all the other protest art on display throughout the city—whether it’s the signs featuring Minnesota state bird, the loon, melting ice with laser eyes, an image with roots in local lore; all the inventive DIY anti-ICE entries at last weekend’s Art Sled Rally; or the ubiquitous stickers depicting melted ice. The Twin Cities community has clearly come together around its resistance to the current siege and Burlesque is happy to have helped play some small part in it.

“I’m not going to be out there with a gas mask at the Federal Building, catching rubber bullets,” Davis says. “So, it feels good that I have something to contribute to the cause. Like, I’m a graphic designer. This is what I can do.”