Bruce Conner’s many editions of self in San Jose
The Tamarind Lithography Workshop in Los Angeles was a force in the early ’60s renaissance of editioned graphic arts as media of fresh creative invention. [...] knowing that finger marks on a plate were signs of insufficiently skilled effort to the master printers of Tamarind, Conner produced an edition consisting of his thumbprint off center on a sheet otherwise empty, except for a second thumbprint at the lower right corner to serve as his signature. [...] that was the case at the time: Punctuating... Читать дальше...