Review: In 'The Salesman,' echoes of Arthur Miller in Tehran
Even as Iranian writer-director Asghar Farhadi layers his films with complexity — with characters whose intimacies are crowded by politics, society and the past — his command of narrative is utterly total. [...] nothing in it will dissuade you from the feeling that you're in the hands of one of the finest filmmakers on the planet: a neorealist Hitchcock whose thrillers, just as finely plotted, accrue a suspenseful force without a melodramatic score or pointed close-ups but through the accumulation of naturalistic detail. Читать дальше...